Kenobi: Star Wars Legends

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Review #1

Kenobi: Star Wars Legends audiobook free

The desert is a tough place to make a living, and no one understands that better than widow, Annileen Calwell, who is trying to raise her two kids, Kallie and Jabe, and manage Dannar’s Claim, her husbands general store/bar/small town hotspot. Her husband died years ago due to Tusken Raiders, and his friend, Orrin Gault, has come up with a pyramid scheme – I MEAN! – “insurance policy” called the Settler’s Call. For a small fee, you sign up and then you get protection from the rest of the settlement when Tuskens attack. This delicate balance all changes with the arrival of a strange and mysterious man, who calls himself Kenobi.

I really do kinda understand why some people don’t care for this book. Despite being called Kenobi, well, our titular character doesn’t really appear all that much – and he doesn’t really get any POVs. Honestly, if you’ve read any of my reviews, you would think my opinion should be much the same – I mean, I went pretty hard on Knight Errant (incidentally by the same author) for how long it takes to show us Kerra Holt, the aforementioned “Knight Errant”, and I was pretty scathing for “Revan”. Why does this get a pass?

Review #2

Kenobi: Star Wars Legends series Star War

With the loss of his once-promising apprentice still a raw wound, Obi-Wan Kenobi retreats to the remote planet of Tatooine, charged with guarding the galaxy’s hope of redemption — young Luke Skywalker. But until that far-off day that Luke should finally meet his destiny, Obi-Wan determines to adapt to a life without the sense of community and far-flung driving purpose that he once knew. But despite his determination to remain unnoticed and unremarked, descending into obscurity even on a backwater planet such as Tatooine proves harder to accomplish than the one-time hero of the Clone Wars ever expected. With Luke delivered into the custody of his uncle Owen Lars for safekeeping, Obi-Wan — now calling himself Ben — determines to settle into the role of watchman some distance away, resigned to a life of watchful meditation. Getting drawn into the lives of the settlers in the area is the last thing he needs…

Dannar’s Claim, a trading post, inn, and bar, operated by Annileen Caldwell and her children Kallie and Jabe is the center of life at The Oasis, the hub around which those brave souls attempting to eek out a living from Tatooine’s harsh environment seek community and connection. Dannar’s Claim also houses the Settler’s Call, the brainchild of moisture farmer and entrepreneur Orrin Gault. The Call is a subscription alarm service, consisting of a fund managed by Gault that coordinates the community response to attacks on subscribers by Tusken Raiders. As the best friend of Annileen’s late husband, the lives of the Caldwells and the Gaults are inextricably entwined. When Tusken attacks spike, led by the raider known only as Plug-eye, tensions spike between Annileen and her long-time friend, made worse by her son’s insistence on joining Orrin’s dangerous raids. As tensions between the settlers and the Tuskens mount, a reclusive stranger named Ben arrives, one whose secrets may hold the secret to the settlers’ salvation…if he isn’t destroyed first.

It’s been YEARS since I read a Star Wars extended universe novel. I cut my science fiction-loving teeth on the likes of Timothy Zahn’s Thrawn trilogy, novels which captured not only the feel of the original trilogy, but were superb storytelling that — long before Disney acquired Lucasfilm and announced plans to make new films — opened new chapters and introduced new characters to the Star Wars universe. Thanks to Disney’s reboot of the extended universe canon, the original extended universe novels that I loved are now no longer canon, but classified as “Legends.” However, stories like Kenobi are stellar examples of these books at their best — illuminating new facets and eye-opening possibilities in the lives of beloved characters like Obi-Wan whose screentime only provides tantalizing hints of their history and potential.

Ewan MacGregor’s portrayal of a young Obi-Wan was a highlight of the uneven (to say the least) prequel trilogy, and portrayal heavily influences Miller’s characterization of the Jedi Master in Kenobi. I’ve always viewed Star Wars, particularly Episode IV, as a western in space, and this novel takes the concept of a western space opera and turns it into a full-fledged, old-fashioned classic western epic. Obi-Wan — now the hermit Ben — is the retired Gunslinger who wants nothing more than to be left in peace. Orrin, the rancher-cum-robber baron whose once pure motives have been corrupted by a drive to consolidate power and succeed, while Annileen is the determined widow transformed into a businesswoman, one whose once-bright dreams have long laid dormant until the arrival of a stranger, the compelling and mysterious Ben.

Miller knows the story beats of a classic western, and therein lies the success of his exploration of the unknown chapter of Ben’s life on Tatooine prior to the arrival of a blue and white astromech droid bearing a desperate plea from a princess. This novel is everything I never knew I wanted from a Obi-Wan-centric story, everything I felt the prequels wasted with an actor of MacGregor’s potential bringing a youthful Kenobi to life. Miller brings Kenobi to vibrant, three-dimensional life, delving into the insecurities, questions, and sense of failure he must have grappled with following Anakin’s turn to the dark side. Here Miller explores if a man who once thrived on action, who was conditioned to never let a call for help go unanswered, adapt to the life of a hermit — if such a withdrawal from a society in need is even possible.

I absolutely loved how this novel fleshes out not only Ben’s character but the culture of Tatooine, a world that plays a critical role in the Star Wars universe as the home of Luke, the birthplace of Anakin, and the site of a rage-fueled massacre of Tuskens that sets Anakin on a galaxy-shaking trajectory, culminating in his transformation into Darth Vader. While Ben’s characterization is a welcome addition to the extended universe, and the settlers are deftly sketched western mainstays, transplanted in space, its the characterization of the Tusken Raider culture that proves most illuminating. On film they are faceless, mindless bandits — here the Tatooine natives have a culture, history, and drive, led by the formidable, fearless warrior Plug-eye, a Tusken with secrets that, if discovered, could reframe the Tuskens’ age-old conflict with the settlers.

Kenobi is peppered with echoes of the films, from mentions of Jabba and the Lars family to suggestions of greater events unfolding in the galaxy as the Empire rises following the Jedi’s fall. But putting the Star Wars references aside, Miller has delivered a cracking good western capable of standing beside classics of the genre by the likes of L’Amour and Mulford. This is why I love science fiction, why I adore the Star Wars world — Kenobi is page-turning adventure filled with compelling characters, explosive action scenes, intrigue, and a classic showdown between good and evil. For all the talk of destiny in the canon, for me Star Wars has always been a story of choice, of choosing light, of choosing to be the best version of one’s self., and Miller taps into the timeless nature of that battle. I can only hope that Miller one day gets to revisit this universe, but if not, here he’s delivered one of the most satisfying reads in this extended universe — and if, like me, you can’t help but view it as canon…who can blame you? This is a Star Wars (and westerns) at their best — entertaining, thought-provoking, and just plain fun.

Review #3

Audiobook Kenobi: Star Wars Legends by Troy Denning

This is my favorite and it’s not canon?! Too bad, although it could be set in the time before the current Disney+ series which is amazing. I’m trying to read all Star Wars canon only til Phantom Menace and I’ve only got two or three books to go. I don’t care for the High Republic series even though I’m pretty sure I’ll pick up the next one due in a few weeks (cue rolling of the bored eyes). I needed a break and started looking online and hadn’t really planned on reading Legend stories. But I’m so happy that I bought this Kindle edition based solely…SOLELY on the positive reviews. What a treat from the Force ☺️. Thanks galaxy! Thank you Star wars family for steering me right!

Review #4

Audio Kenobi: Star Wars Legends narrated by Marc Thompson

I read this after watching kenobi. I enjoyed both stories about his time on tatooine. In this one, trouble finds him and he responds like a Jedi. In the kenobi show, he makes a Jedi decision that he knows will invite trouble. I am not sure which I feel is more true to his character, maybe a slight advantage to this story in the book, but I enjoyed both options. With the world between worlds. Maybe I won’t have to choose!

Review #5

Free audio Kenobi: Star Wars Legends – in the audio player below

I might be wrong about this but I think this is the last novel of the old, proper canon and it’s a great way for Star Wars to bow out. I approached this with very low expectations (what can a man on a mission to do nothing possibly get up to?) but I’m very pleased to find I was wrong.

What you’ve got is a classic Star Wars-flavoured western with Obiwan cast as the celebrated lawman, trying to hang up his gun, who has to fight his natural instinct to step in and save the day. Lawless Tatooine is the perfect setting with for such a western with Tuskans playing Indians and moisture farmers for settlers and Obiwan as the reluctant hero with a tortured soul.

The first good sign for me was that it’s by John Jackson Miller: I really liked both Knight Errant and Lost Tribe of the Sith and Miller does what he does in those books: fleshes it out with characters with real motives and personalities (unlike the cut-and paste caricatures you get in some EU novels). There is a community here for Obiwan to walk into and interact with and that’s necessary: if his intention is to lie low, there needs to be a dynamic going on to draw him out. This brings front and centre the crux of his situation: he’s a Galactic hero who can’t abide injustice but must do that for the greater good.

I get people complaining about the lack of action but that’s true of the best westerns: I love John Ford’s films but if you reduce the plot to just action there’s very little; it’s all about character.
Yes, there isn’t a grand scale to this story but nor should there be: other stories tell Star Wars on an epic scale but this is a personal journey and the scope is suitably adapted.

If you’re dead against western you’re unlikely to enjoy this but that was the strength of this world that has been sadly thrown away: if you want zombies, you’ve got Death Troopers, if you Oceans Eleven, you’ve got Scoundrels. You’ve got WW2 fighter stories in the Rogue Squadron books or the anti hero of the Bounty Hunter series (and if you soldiers sitting around talking about emotions, there’s the Clone Wars books).

There was so much texture and diversity which Disney threw away and then decided Star Wars was too samey. They replaced stuff like this with the ilogical mess of The Last Jedi? Give me the true EU any day.

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