Songs of the Dying Earth

Reviewers on Audible are all over the rating-board with this one but reviewers of the written version of Songs Of the Dying Earth pretty much agree: this is a great title. On Audible, one reviewer wrote that if you like Jack Vance’s style, this book is for you but if you don’t or don’t yet know Jack Vance, steer clear. I disagree with the last part of this statement. It would suggest that either Jack Vance in general is an author to avoid or that this work does not represent the writings of the Jack Vance. Neither could be further from the truth. I wondered for the longest time why Fantasy and Science Fiction were often lumped together in the same genre. Separately they were not even similar. For me, at least, Fantasy has always seemed to be about the past and SciFi much more forward looking. Steampunk is kind of exception but in general, again, only for me, the two genres were quite disparate. Not so in the writings of Jack Vance. Particularly in the “Dying Earth” series, one has to think that a dying earth per se is not about something in the past nor even the present. And yet when we read about people, characters, places and things in this series, it very much and simultaneously conjures up feelings of a long past, possibly a middle- or dark-ages-kind-of-time. There is this tension between the past and the future or maybe it is the present but then the tension is between multi-universes or our earth and another earth far, far away. But this is Jack Vance pigeon hole if we must categorize him: Science Fiction and Fantasy at its best. Jack Vance’s influence on this genre cannot be overestimated. Not that it necessarily always matters, but he has won every significant award in this category. This is a collection of short stories that reflect why so many accolades have been showered upon him. George R.R. Martin edits the work with some of the most esteemed other authors in the field contributing. In general, I think that the book is very well done. So, bottom line what I would suggest is this: If you know of Jack Vance and like or dislike his style then simply let that be your guide. If you do not know Jack Vance, this would be a great place to start. I did not think ever one of the stories was great but they were all good and some were great. The narration of the audiobook is well-done. The selection informs and entertains. There is a lot of supplementary information conveyed about the author, the series and other masters in the science-fiction-fantasy genre.

This tribute to one of the still living masters of fantasy made me realize just how under-represented the works of Jack vance are in audiobook form. The writers here have captured the odd cadences,the delicate pallettes of imagery and the whimsical ideas Mr Vance has entertained his readers with for countless decades. You can feel the respect of their tellings for the original works throughout,and until these treasures find their way to this website,I heartily invite all to have a taste of what Vance is and hope this will prompt the appearence of the classics these homages sprang from.

Jack Vance’s Dying Earth books (and other works) no longer have the following that they did back in the ‘60s or ‘70s, which seems to be when most of the contributors to this collection were in their own formative years and discovered him for the first time. Judging from the “names” here (Simmons, Martin, Gaiman, Silverberg, Williams) and the praise that each author has to offer, Vance seems to have had a profound impact on a generation of fantasy and speculative fiction writers. Which I guess isn’t surprising. The Dying Earth is one of the definitive creations of fantasy, a decadent world eons in the future, when the sun is about to go out. Populated by bizarre monsters, sorcerers, other-dimensional beings, and humans who have adopted a certain self-serving, fatalistic outlook, it’s a world somewhere between Hieronymus Bosch, The Wizard of Oz, and fables of old. Then, there’s Vance’s distinct style, which uses overly literate prose and obscure vocabulary in service of humor that’s by turns sly and slapstick. While there are a few weak stories, most of the authors here do a fine job of channeling Vance’s playfulness and imagination, and expanding on some of the Dying Earth’s more amusing, grotesque, or fascinating components. Highlights • “Grolian of Almery” by Matthew Hughes: in which a roguish traveler trapped in a sorcerer’s former house, the sorcerer’s former apprentice, and the disembodied spirit of the sorcerer himself engage in a battle of wits at the nexus point between several universes. This one has all the signature Vance elements: an amoral protagonist (who’s still more likeable than his opponents), sardonic humor, and some creatively weird interdimensional creatures. • “The Traditions of Karzh” by Paula Volsky: an indolent young man is given a lethal incentive to acquire some magical abilities, and his quest carries him into the clutches of a pelgrane, one of the Dying Earth’s horrifying monsters. Clever, scary, and entertaining. • “The Green Bird” by Kage Baker: Cugel the Clever, Vance’s despicable “hero”, gets into new shenanigans while trying to steal an obnoxious talking bird (who happens to know important spells) from two unpleasant spinsters. However, Cugel may be in for more than he bargained for. Baker’s humor is a hoot. • “The Lamentably Comical Tragedy of Lixal Laqavee” by Tad Williams: a fraudulent “wizard” blackmails a real wizard into providing him with some spells. His error becomes clear when one of those spells leaves him magically chained to an ogre-like deodan, leading to a novel cross-species meeting of minds. This one is both funny and dark. • “A Night at the Tarn House” by George R.R. Martin: Martin is my favorite author here, and his dark showdown at in an inn in the middle of nowhere, between several characters who are all hiding their true identities, didn’t disappoint. • “An Invocation of Incuriosity” by Neil Gaiman: this melancholy story takes us all the way to the final day of the Dying Earth, and back through time. All in all, I don’t think it’s necessary to have much experience with Vance to enjoy this collection, though his style, which is lovingly replicated here, won’t be to everyone’s taste. My only complaint is expressed by what one of the collection’s gnarlier characters says about munching on tiny Twk-Men: tasty, but they still leave you hungry. Alas that there wasn’t more common thread between the stories. Audiobook narrator, Arthur Morey, who performed several Cugel books, is part of the Dying Earth experience for me. The wry, exaggerated sincerity of his dialogue reading goes very well with Vance-ian wit, and he adds an extra layer of absurdity to demons and monsters who wax philosophical. As always, I enjoy that his Cugel sounds like Richard Nixon.

I would have given this 5 stars–except for the fact that the reader is a real mis-match for the material. Morey has a voice and approach that would be great for a gritty realistic crime novel, but for these flights of fantasy, with an emphasis on flowing language and exotic locales Morey works against the material. You don\’t have to be a Vance fanatic to enjoy these tributes to his most famous creation – they are all finely wrought far future fairy tales, visionary and playful. This collection provides excellent storytelling for any lover of fantasy.

pretty good listen, some really good stories and some weaker ones but on the whole it was entertaining

Galaxyaudiobook Member Benefit

- Able to comment

- List watched audiobooks

- List favorite audiobooks

- Bookmark will only available for Galaxyaudiobook member