The Girl Who Loved Tom Gordon

Review #1

I haven’t read a lot of Stephen King because I am not a big fan of the horror genre, but when King goes a little easier on the adrenaline pump, I really like his writing and The Girl Who Loved Tom Gordon is one of those. How do you make 9 days in the life of a lost 9 year old engrossing? King does it by creating a character who is not only likable, but charmingly flawed, and totally believable and he sends this character on an emotional and spiritual journey at the same time she must find her way back in the very real physical world. The baseball metaphor and Anne Heche’s truly brilliant performance further enhance the narrative. This one will stick with me.

Review #2

I don’t understand some of the reviews for this title. The story is one of King’s most engaging, and Anne Heche’s narration perfectly captures the developing character of the nine year old protagonist. Audio book aficionados are aware that occasionally there will come along a combination of book and reader where the total is greater than the sum of the parts; where there is a marked synergy between the particular reader and their unique style and the subject matter of the book. While rare, this effect is precious to those true lovers of audio reading. When I come across such a beastie, I find that, like a good symphony or a great restaurant, you find yourself coming back again and again to savor the experience. Charlton Heston reading Hemingway; Frank Muller and works by King, or Anne Rice or 1984; Jerry Farden and Sweet Thursday, Sally Darling and To Kill a Mockingbird; Jim Dale and the Potter series; they have one coming back and back and back; re-listening and savoring again the exquisite combination of effects. This book does this for me; albeit, perhaps not as much as some listed above, but far beyond the normal run of the mill bland narrations one often finds. So, to the discriminating audio book reader; I highly recommend this work. If you are not captured on the first listen (I was), you may try a second.

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